Underviewed, Undervalued, Underground

100-word Intro: Rainer Werner Fassbinder

The melancholy gay Mozart of New German Cinema. Fassbinder’s prodigious genius yielded an astounding 42 features in only 13 years. Despite ceaseless experimentation across a range of genre, discursive melodrama best served the tension between his seething contempt for bourgeois hypocrisy and his infinite tenderness for his tragic protagonists—compelled by their natures to seek love and do right but restrained at every turn by social, moral and sexual forces beyond their control. In masterpieces like Ali and 13 Moons, Fassbinder utilized static blocking and intricately staged visual tableaus to conjure perhaps the saddest framing in all of cinema.

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