100-word Intro: Robert Bresson
The most daring inventor in the medium—or, more accurately, its most potent minimalist—and supreme exemplar of the visionary mode. Forsaking emotive acting, expressionistic mise-en-scene or visual/narrative explicitness, Bresson’s austere cinema of hands, passageways and disembodied sounds reveals spiritual essences through material substance. In Au Hasard Balthazar, a donkey serves as proxy for human suffering. In Pickpocket, dexterous hands perform a redemptive ballet. Behavior, bodies and sounds become freshly reinvigorated in his works. We not only learn to see with new eyes but, in the tension between alienation and immediacy, cultivate a physical awareness of the human spirit.